I began to come of age as an artist in the city of Port of Spain, in the southern most Caribbean island nation of Trinidad and Tobago, where I was born. I created work there based on ideas around West Indian people, the city, and one of nature’s most noticeable and forceful cycles in a tropical environment, decay and regeneration.
Currently, as a contemporary land-based artist in the western United States my work begins with an examination of how the majority culture imprints itself here. My studio is located in a historically industrial section of north Denver, in Globeville, Colorado, and many of my paintings reflect this and other realities, such as the Cold Springs Fire which erupted in 2016 in the mountain region where I live 40 miles west of Denver.
In 2017, based on trips to Rocky Mountain Arsenal National Wildlife Refuge in Commerce City, I began to use images of other species inspired by my trips there, initially the North American Bison, in order to begin to help mediate our broken relationships with Nature and highlight the tensions between humans and other species. This culminated in the ‘controlled wild’ and ‘mysten’ series which I continue to work on and add to today.
More recently, in 2019, I began to work on another project, ‘transfiguration’, a series of paintings about the Human species being the most domesticated animal of all, and reimagining people after a process of spiritual and physical rewilding.
The paintings, films, and sculptures that I make tend to include both beauty and trauma and are more of a visual echo of what I perceive as taking place on the land today in the American west. Therefore, my work is intended as a means for reflection regarding the paradoxical nature of the human condition and the current state of our relationships with Nature.